DREAMING SUPPORTERS “It is true our supporters can dream,” Spurs manager Mauricio Pochettino said. Second-place Tottenham lead Arsenal on goal difference, while City’s second straight home loss kept the team six points behind Leicester, with their squad beginning to look stretched as they go for trophies on four fronts. In the other match, last-place Aston Villa slipped to their heaviest home defeat in 81 years, losing 6-0 to Liverpool. The visitors had six different scorers, including Daniel Sturridge in the injury-prone striker’s first league start for more than four months. Relegation candidates all of last season, Leicester are dealing with a different kind of pressure this time round, but failure to handle rising expectations wasn’t the reason behind the defeat at Emirates Stadium. The biggest factor was probably the sending-off of right back Danny Simpson after two yellow cards in the opening nine minutes of the second half. Leicester were then leading 1-0, thanks to Jamie Vardy’s penalty on the stroke of half-time – his league-high 19th goal of the season. Substitutes came good for Arsenal. Theo Walcott equalised with 20 minutes to go, with Arsenal’s first shot on target and fellow sub Welbeck, who came on in the 83rd minute, headed in Mesut Ozil’s free kick. “Everybody is extremely happy for him because he has been out for 10 months. That is an eternity for a player,” Wenger said. Spurs capped a successful day for the north London clubs by completing a league double over City, another sign that they are ready to finally challenge for the championship under Pochettino after years of underachievement. Harry Kane put Tottenham in front in the 53rd from a penalty that was controversially awarded for a handball against Raheem Sterling, who turned his back to a cross from Danny Rose. The ball appeared to strike a combination of his elbow and back, with his arm not outstretched. Substitute Kelechi Iheanacho equalised in the 74th, only for Eriksen to race onto Erik Lamela’s through-ball and slip a low finish past goalkeeper Joe Hart. With 12 games left, City are now dependent on three teams above them dropping points. “The first problem is our team,” City manager Manuel Pellegrini said. “We need to improve in a lot of things.” It is the first time since 1985 that Tottenham has been second at this stage of the season. After Sturridge and James Milner secured a 2-0 lead at half-time, Liverpool scored four goals in 13 second-half minutes – through Emre Can, Divock Origi, Nathaniel Clyne and Kolo Toure – to seal their biggest win under Juergen Klopp. Liverpool climbed to eighth place, three points behind fifth-place Manchester United, while Villa are eight points from safety. MANCHESTER, England (AP): Arsenal and Tottenham grabbed late winning goals against title rivals yesterday to move two points off the lead as the race to win the English Premier League tightened up. Leicester started the weekend with an unlikely five-point lead, but conceded in the fifth minute of stoppage time to lose 2-1 at Arsenal, with Danny Welbeck scoring the winner in his first match back after 10 months out because of injury. “This strengthens our belief that we are in the fight,” Arsenal manager Arsene Wenger said. “It would have been massive for us to lose.” It was only Leicester’s third loss of the season – and two of them have been inflicted by Arsenal. Christian Eriksen didn’t leave it quite so late for Spurs against Manchester City, slotting home in the 83rd minute to also seal a 2-1 win at Etihad Stadium. It will be regarded as a landmark win for a young Tottenham team that is going for the club’s first league title since 1961.
PHOENIX — Chaos. Insanity. Launch angle.Baseball in 2019.It’s hard to know what to believe anymore when watching a sport where hitting a ball over the fence was once an accomplishment worth celebrating.Up until this season, it would have been all-too-easy to write that surely, neither Giants manager Bruce Bochy nor Diamondbacks skipper Torey Lovullo had seen anything like what took place at Chase Field on Friday before. Except two months ago, before Lovullo’s D’backs and Bochy’s …
audrey watters However, nearly 80% of all survey respondents say their broadband connections do not fully meet their current needs. 55% say that slow connection speed is the primary reason their needs aren’t met. 39% says that cost of service is the major barrier to meeting their Internet needs. 27% cite installation costs as the barrier. Rural schools and libraries, in particular, struggle to provide adequate bandwidth to their users.What Are E-Rate Recipients Using Broadband For?Email tops the list of the most-used app by E-rate users. 98% of respondents say that’s what Internet access is regularly used for and 69% say it’s the most essential app. For libraries, online reference materials are the most important and most used app. 86% of library staff and patrons regularly use online reference materials, and 62% say it’s the most essential tool they access online.Schools and libraries both indicate that they see usage increasing. For example, 56% of all E-rate survey respondents say they plan on expanding their usage of digital textbooks in the next 2 years, and 45% say they plan to implement or expand their use of handheld devices for educational purposes. Currently, the average student-to-computer ratio of those schools responding to the survey is 5.86 to 1.According to the FCC, this data will help the agency make better policy decisions for the E-rate program. The FCC has made better broadband access one of its major goals. The FCC has released a report on the state of broadband connectivity at those schools and libraries that receive funds from the federal E-rate program. The E-rate program provides more than $2.25 billion in funding annually in order to offer discounts for schools and libraries so that they can obtain affordable telecommunications services and Internet access.The report is based on data from a survey conducted in 2010 that looks at broadband usage in schools and libraries. The survey found that almost all respondents have some form of broadband connection to at least one facility. Just 2% use satellite and 3% use dial-up in order to access the Internet.Most schools and libraries that responded have Internet speeds greater than 3 Mbps (55%). 10% have speeds greater than 100 Mbps. More than half of the school districts that responded (60%) say they subscribe to a fiber optic connection. Private schools are more than twice as likely as public schools to have either cable (31% to 16%) or DSL (29% to 16%). And 66% of respondents say they provide some wireless connectivity for students, staff and library patrons. Why Tech Companies Need Simpler Terms of Servic… 8 Best WordPress Hosting Solutions on the Market Tags:#E-Learning#web Top Reasons to Go With Managed WordPress Hosting A Web Developer’s New Best Friend is the AI Wai… Related Posts
Alex is founder of BuildingGreen, Inc. and executive editor of Environmental Building News. He also recently created the Resilient Design Institute. To keep up with Alex’s latest articles and musings, you can sign up for his Twitter feed. No moving parts, nothing to wear outThe beauty of drainline heat exchangers is that there are no moving parts, nothing the wear out, and nothing to get clogged. Only fresh water goes through the small-diameter supply pipes; any hair or other materials pass through a standard, smooth drain pipe. Several versionsThere are four manufacturers of drainline heat exchangers that I’m aware of: Vasile’s original company, WaterFilm Energy of Medford, New York, and three Canadian companies: EcoInnovation Technologies of St-Louis-de-Gonzague, Quebec, which makes the Eco-GFX; ReTherm Energy Systems of Summerside, Prince Edward Island; and RenewAbility Energy of Kitchener, Ontario, which makes the Power-Pipe.Most of these have a single 1/2-inch copper pipe coiled around a length (typically three to five feet) of 2-inch or 3-inch diameter drain pipe.The Power-Pipe is a little different than the others. It has a header that splits the supply pipe into four smaller, square-cross-section pipes that provide more surface area for heat transfer.Most of these manufacturers offer various lengths and diameters of drainline and can accommodate different supply pipe diameters. GBA Encyclopedia: Drain-water heat recoveryGBA Product Guide: Domestic Water Heat ReclaimersQ&A: Plumbing question – Domestic Water Heat Reclaimer CostInstalled in a new home, drainline heat exchangers typically cost $500 to $800 (including installation). Costs in multifamily buildings should be lower. In some states there are rebates available for such systems. How a drainline heat exchanger worksThe process is pretty simple. A special section of copper drainpipe is installed beneath a shower (typically the largest hot water use in a home) or other hot wastewater source. This section of drainpipe has smaller-diameter copper piping wrapped tightly around it. The cold-water supply pipe leading into the water heater is diverted so that it flows through the small-diameter copper pipe. RELATED ARTICLES When hot water is being pulled from the water heater to supply the shower, the water going into the water heater is preheated by the wastewater going down the shower drain. If it’s a tankless — rather than storage — water heater, the incoming water temperature will be higher, so less energy will be required to get it up to the needed delivery temperature — thus saving energy (though the tankless water heater has to be thermostatically controlled and, thus, able to deal with inlet water of varying temperature).The man who invented the drainwater heater exchanger, Carmine Vasile, called the product a GFX, for “gravity-film exchange,” recognizing that water going down a vertical pipe forms a film that clings to the inner walls of the pipe where the heat can effectively be transferred through the copper to the supply water. Over the past few weeks I’ve written about various strategies to produce hot water efficiently. We’ve seen that tankless water heaters are more efficient than storage water heaters (though are not without their drawbacks), and we’ve learned that heat-pump water heaters produce two to three times as much heat per unit of electricity consumed as electric water heaters that rely on electric resistance heat.But the unfortunate reality is that even with the most efficient methods of generating hot water, we still lose the vast majority of that heat down the drain. Domestic hot water is a once-through product. I’ve seen estimates that 90% of the heat in hot water is lost down the drain. Dan Cautley, an energy engineer with the Energy Center of Wisconsin, says that drain water “may be one of our largest untapped resources.”It turns out that we can do something about that. In the right application, drainline heat exchangers allow a significant portion of the heat from hot water going down the drain to be recovered. Maximizing recovery efficiencyAccording to an article in Environmental Building News, heat recovery efficiency can be as high as 60% — which can effectively double the water heating efficiency. Just how much benefit a drainline heat exchanger will provide will depend on usage patterns and how the plumbing in a house is configured.For the highest rate of heat recovery, it is ideal if all household members use the same shower (or have several showers that drain through the same vertical length of drainline). It helps if the water heater is in a basement (or beneath the showers and close by, so that there is minimal length of supply piping from the heat exchanger to the water heater).These systems are even more cost-effective in schools and commercial buildings that use a lot of hot water: school shower facilities, health clubs, laundromats, commercial kitchens, etc.
Are you a military service provider or caregiver to a family member whose medical coverage falls under Medicaid? Are you unsure how their coverage may be affected by the Affordable Care Act? In today’s caregiving post we take a brief look at the impact the Affordable Care Act has on Medicaid.The Affordable Care Act (ACA) allows states to expand Medicaid based on the percentage of the federal poverty level. About half of the U.S. has opted to do this as of early 2015. These states have expanded Medicaid eligibility to adults earning up to 138 percent of the federal poverty level.The ACA also creates incentives for states to further develop Home and Community Based Services (HCBS) and to incorporate the programs into their state Medicaid programs, making services more widely available. HCBS are provided under federal waivers that allow states to provide services to qualified individuals. As a result, the scope of services may be limited, the populations served may be specified, and the approval to operate the waiver time may be limited. Medicaid is and remains a federal-state program that is administered by state governments.To learn more about Medicaid check out our Medicaid and Military Families: An Introduction training.Have a question for our military caregiving team? Let us know! We want to hear from you.
That’s the breakdown for these different feature film budgets. I hope you’ll be making one in the very near future.Cover image via Janelle Lugge.Looking for more on the film and video industry? Check out these articles.The History and Power of Sound Design in the Film IndustryFilmmaking Fads and Trends: Don’t Let Them Bother YouThese Tribeca Docs Will Renew Your Faith In The Power of The CameraThe Cameras and Lenses Behind the Marvel Cinematic UniverseBreakout Director Kat Candler on the Best Festivals for First-Time Filmmakers Making a Film on a $10,000 BudgetSo let’s start with $10K. I’m going to say $10K, but it’s really anywhere between $10-$25K. This is as much as most people have in savings or could put on a credit card (I don’t recommend the latter).It’s probably not going to be a SAG (Screen Actors Guild) project, so your actors will be non-union. Your film is certainly not going to be union for other departments, including cinematography, electrical, sound, grip, catering, etc. — these will all be way over your budget.You’re probably not going to pay anyone very much money, maybe around $50 a day. You’re going to shoot in under two weeks, and most of your money is going toward one main location and feeding everyone.You’ll have to choose a script that’s very contained (that only takes place in a couple of locations), and you’re going to have to know a lot of other filmmakers.At $10K, you won’t be able to afford to pay $700-1,500 a day for a professional sound person.You’re going to be working on your own script, or a script that someone has given to you (because you can’t afford to buy one).You’re going to be getting locations of friends, family, yourself, or shooting outside in a park or on the street, if your city allows you to shoot publicly without a permit.Generally, you’re going to have to cut every corner you can and only use your budget to bail you out of an emergency.So the money will go toward whatever your network can’t supply.Hiring a camera or lenses (but probably not both).Lights and grip (some you’ll probably borrow or get for free — either the DP or gaffer will have them).Post-production. If you’re not a colorist or sound editor or mixer or musician, you’re going to have to pay one of those people (but hopefully not all).You can make a movie for zero dollars; it just means that you’re going to be asking for favors from everyone, all the time, which can take longer than if you just worked to save up the money and paid for whatever you couldn’t get as a favor.The budget of a $10K movie isn’t that complicated because (basically) you set out to get everything for free, and then when something falls through, or when you just can’t find it no matter how hard you look, you have to dip into your limited resources.A lot of people do this every year. Some of them break out and find wider acceptance. It’s basically a film school. You get to spend a month preparing, a week shooting, and then 3-6 months in post. After that, you try to find an audience for your film.It’s a great training ground for filmmakers of all kinds.Making a Film on a $100,000 BudgetImage via 9387388673.At $100K, you have some money, but you don’t have enough money to pay full price for everything.You’re probably going to move up to SAG actors because you want a couple of recognizable faces (or names) in your film. These are people at the end or beginning of their careers — actors transitioning from TV or Broadway into movies.At this budget level, you’re going to pay everyone something.You’re going to shoot for 18 days or three weeks, taking Sunday off.You’re going to be able to hire camera, lenses, and a grip, but not at full rate.You’re going to have to find people who believe in the vision of the film in order to make it.You’re still going to be directing the movie yourself because you still can’t pay the $100K it costs to get someone from the DGA (Director’s Guild of America).Hopefully, you’ve made a $10K movie already, and you know the process. You’re aware of your blind spots from the first film, so you’re going into the second film with your eyes more open.You can probably afford a professional colorist, professional sound mix, and professional musicians — all at a reduced price. You can afford to pay $2K for a mix, not $20K, and generally you still need to beg, borrow, and steal everything. By the time you write the script, cast it, find all the locations, shoot it, post-produce it, and find a buyer for the film, a year will have gone by. $100K is real money. People expect a return. You need to sell that movie and get that money back, which can take a lot of time. That’s time that you’re not working at a regular job.$100k will allow you to give yourself a small wage, but you’re probably still going to need to work part-time in order to avoid dipping into the budget to support yourself while you make the film.Making a Film on a $500,000 BudgetImage via 9387388673.This really could be anywhere from $500K to $1 million. This is the first time you’re paying union rates for your sound mixers, transportation, union members, AC (Assistant Camera), post, etc. You simply find the people you want to work with and ask them what their rate is. You’re not going to pay them their TV commercial rate of $8K a day; you’ll pay their feature rate of maybe $800 dollars a day.You’re going to pay for a casting director who will handle all the SAG elements for you.You’ll probably give yourself a wage of about $50K, depending on your living expenses, and you’re probably going to have a producer (as well) at the same price, which needs to cover your costs so you can work on your film and sell it. Remember, it takes 18 months to get a feature film from inception to sale.Having said that, there is very little money in a $500K budget for any of the things that you see in major Hollywood movies.There’s very little money for visual effects.You can’t fix things in post.You’re probably going to get one “name actor” at Schedule F, which is $60-$70K. Everyone else is going to be a bit player or a favor.You’re certainly not going to get Brad Pitt or Charlize Theron. You’re just going to try and find a rising star who really wants to be in your film.You’re still going to have to work with the new, hungry post-production houses. You’re not going to walk into Industrial Light & Magic and say, “I want a CGI character.”You’re going to really have to keep it very bare bones, but at $500K-$1 million, you’re going to at least be able to pay for most of what you need. These budget breakdowns demonstrate the wild difference money makes when shooting a feature film. Here’s what you can expect.$10K, $100K, and $500K — they all sound like a lot of money. And they are. But they are also not as much as you might think when it comes to producing a feature film — especially a feature that will be compared to projects with budgets of millions (or hundreds of millions) of dollars.Here’s what you can expect from these three sample budgets.